Peint à la main couteau or arbre peinture à l'huile sur toile grande palette peintures 3D F



Peint à la main couteau or arbre peinture à l'huile sur toile grande palette peintures 3D F

"My five-year-old could paint better than that." You may have heard this in a museum as a group of matron rolls through the abstract part of the exhibition, as they look at the art they do not understand. They're wrong. It feels like art, a love for art and a ready willingness to accept the principle that abstract art is "art for art". The piece that they do not pause before has taken the artist's time and thought and skill to produce, and when they leave the area, you can be forgiven for your pride to say so, yes, you understand abstract art. It has taken reading, studying and a number of visits to this museum, but you have knowledge of the varied area of ​​abstract art. In fact, you can give a short talk on "Abstract Painting Explained.j"

At metaphysical and visceral level, abstract art meets us, because it flies ahead of expectation even when it achieves its artistic goals. Art for decoration has its place and the goal to make quite a utilitarian or ordinary object or attitude. Functional art tells a story or illustrates a moral; It can dissolve us to the state that we mean to be all the time, every day. But abstract art simply exists, without any reason other than that the artist created it. It pops into the art world unknown by someone who saves the artist. It challenges the viewer. It can even disturb the viewer emotionally. Abstract art exists as a finished work, and any dyes or squiqqle lines added to it would tear the finished state.

In the beginning, abstract art is said to be non-representative, & # 39; "non-figurative" and "representing the substance's intrinsic value, not its external appearance." These descriptive phrases are still true today. the formal representation of numbers by merely depicting the reflected light from them and abstract art moving further along that path, to the point where the subject is merely proposed by a whirl, for a hurricane or a triangle for a sense of stability. Anyone who comes to an exhibition of abstract art already carries a lot of cultural knowledge and must realize that he or she is not a passive viewer but an active one. in the form of thinking to decipher the meaning of an abstract paragraph. Can you see a portrait of Bambi and do not know that it represents a deer? No, you couldn't. the rest of the figure and realizes that the Bambi curve presentation travels to adulthood, his triumph over his mother's tragic death and his stable friendship with his nephews? Not without any thought. But that is what goes to an abstract art gallery means that there is no childish ease in the experience. We expect to be guided to an understanding of the abstract piece, not having it submitted to us without effort. We are adults, and we can "see beneeth the seeming" because that's what adults do. It's not that hard, see?